Parish pays tribute to Annunciation shooting victims through sacred fresco
Through sacred art, a neighboring parish is paying tribute to the Annunciation parish community in Minneapolis after the deadly shooting last year.
Our Lady of Guadalupe with the unfinished fresco, left, and the completed Annunciation fresco, right. | Credit: Photo by Rámond Mitchell
August 27, 2026
When a deadly shooting devastated Annunciation Catholic School in Minneapolis on Aug. 27, 2025, a neighboring Catholic parish quietly provided support to the school, opening its doors for the parish school’s needs.
Now, Our Lady of Grace is memorializing that connection in a fresco by Minnesota-based artist Mark Balma.
Balma is in the process of painting two large frescoes at the altar of Our Lady of Grace. On the right, already finished, is an image of Mary and the angel at the Annunciation. Green and blue ribbons painted in the bottom-right corner pay tribute to the school and the community.
“In the centuries-old tradition of Catholic sacred art, images have always carried more than beauty — they carry the prayers, memories, and stories of the communities who create and encounter them,” Rámond Mitchell, director of liturgy for Our Lady of Grace, told EWTN News.
“Sacred art has a unique ability to hold memory, communicate faith, and invite people into prayer,” Mitchell continued.
“Because our two communities had walked so closely with one another through such a difficult time, we wanted to create a lasting remembrance within our own sacred space as a reminder of the people we accompanied, the lives that were forever changed, and the hope and faith that sustained us,” Mitchell said.
Meaning of the ribbons
Balma painted blue-and-green ribbons onto a vase within his Annunciation fresco as a tribute to the community of Annunciation Church and School.
Mitchell explained how blue-and-green ribbons were an important symbol to the community after the shooting.
“Following the shooting, people throughout the surrounding community tied blue-and-green ribbons to doors, trees, lampposts, fences, and other places as a visible sign of solidarity and remembrance,” Mitchell said.
“In the fresco, the ribbons are tied around a water jug beside Mary. We wanted the ribbons to feel integrated into the scene rather than separate from it,” Mitchell continued. “The water jug is an ordinary object, much like the ordinary details of daily life that surrounded Mary when the angel appeared to her.”
Close-up of Mark Balma’s Annunciation fresco. | Credit: Photo by Rámond Mitchell“In that way, the ribbons become part of an ordinary moment that has been transformed by the presence of God and a reminder of the Annunciation community and of the sacredness of their lives and stories,” Mitchell continued.
Balma, who was in the Twin Cities at the time of the shooting, was asked to “find a way to honor the Annunciation community.”
“This tragedy really touched me, and I prayed for guidance at how to best honor the children and families,” Balma told EWTN News.
“As a painter I try to find within Scriptures a word or concept that might help me unlock a vision to reveal a fresh way to transform the words into images,” Balma said. “For instance, in the Annunciation fresco, the line ‘I am the handmaid of the Lord’ became the focal point of the imagery.”
“My concept for the Annunciation fresco is different than most historical depictions. They usually place an older-looking Mary in a room or cloister visited by Gabriel and the Holy Spirit,” Balma said. “As I studied the Scriptures, I found no reference to her being in a room.”
Balma pointed out that at the time of the Annunciation, Mary “was not that much older than the children” of Annunciation School.
“I imagined the 14-year-old Mary as carrying on her daily chores like going to the well for water,” Balma said. “So full of beautiful symbolism, the water vase then became the place I could attach the ribbons that were placed in the community in remembrance of the children.”
“Water is healing, and tying the ribbons around the vase seemed to be the heartfelt way to honor the children,” Balma said.
Sister communities
The community at Our Lady of Grace stepped up after the shooting; it was a tragedy that struck them deeply.
“Annunciation is not far from Our Lady of Grace, and there have long been many connections between our two communities,” Mitchell said. “Some of our parishioners attended Annunciation themselves, while others have children or grandchildren who attended the school. Our teachers knew teachers there, and some members of our parish community were neighbors or friends of students, staff, and families affected by the shooting.”
“Because of those relationships, the tragedy was felt very deeply at Our Lady of Grace,” Mitchell said. “In the aftermath, our parish and school community was able to offer a place of safety, hospitality, prayer, and support. Our campus became a place where members of the Annunciation community could simply be together when so much of their world had been disrupted.”
The principal of Annunciation was present at the live painting session when Balma painted the ribbons into the fresco, which was a particularly significant moment, Mitchell said.
“Having members of the Annunciation community participate in and witness the creation of the work has made the memorial even more meaningful,” Mitchell said.
In addition to the feast of the nativity of St. John the Baptist (June 24), the Church, since the fourth century, commemorates the martyrdom of Christ's precursor. According to the Roman Martyrology, this day marks "the second finding of his most venerable head." The body of the saint was buried in Samaria. In the year 362 pagans desecrated the grave and burned his remains. Only a small portion of his relics were able to be saved by monks and sent to St. Athanasius at Alexandria. The head of the saint is venerated at various places. That in the Church of St. Sylvester in Rome belongs to a martyr-priest John. Also in the Dominican church at Breslau the Baptist's head is honored.
